Triangle Capella - Elegant in Both Sound and Looks

Wireless hifi systems are no longer a taboo subject in the audiophile community. While the traditional wired setups are still seems to be the reference, wireless systems have its own place in the community. Some wireless systems can even be at  par or exceed it of a wired systems. One of them that has landed in my den is the Capella; by Triangle HiFi.

Built solidly in a gorgeous glossy finish, equipped with its own mini isolation stands for a quick table top set up, this system is another example of wireless done right. As oppose to other wireless speakers such as the KEF LS50, the Capella comes with a separate dedicated master input unit called the Stereo Hub. 

SETTING UP

In this modern world, one of the test in my requirement is the set up process. Anything that is too complicated and takes more than 10 mins is a big no-no for me. Glad to report that it only took the Capella 5 minutes to be  fully connected to my home network.

THE INS AND OUTS

The Capella is a very digital based system with 3 optical, 1 coax, 1 USB ins but its not short of analogue as well with 1 pair of RCA and 1 of 3.5 mm aux input. It can also be connected to a TV with a HDMI ARC. On the wireless connectivity, there is Bluetooth and WiFi.

THE SPECS

This active speakers comes with a total power output of 2 x 100 W where each driver has its own converter and a dedicated 50W amplification circuit. It is also equipped with its own DSP that adapts to the the driver behaviour to deliver at the peak of the system potential.

The system also offers auto calibration to your listening area. Works well with iPhone microphone but for Android user, a Zen microphone needs to be purchase separately.

One big plus point for me is that it comes with its own app. I am quite fussy on this based on my previous experience of streamers that depends on 3rd party apps. You can also control the unit using the supplied rather nifty remote control.

 

  

THE SESSION

As I see this system to be more of a lifestyle system, I have combined the usual test tracks with some daily music I listen to.

1. Take Five - Kenichi Tsunoda Big Band
2. The Sound of Silence -  The Ghost of Johnny Cash
3. Soolaiman - Neil Young
4. The Moon Represents My Heart - Zhao Peng
5. If I Can Dream  - Elvis Presley

With the Take Five rendition by The Kenichi Tsunoda Big Band, the Capella hit the right notes and dynamics as it really made me swing listening to this track. It managed to present a lively ambient and filled my dining area with a very energetic presence. The wind instrument was in perfect harmony with the low frequency spectrum, creating an impactful presentation. 

On The Sound of Silence, the presentation sounds really huge and it really envelopes me in an immersive experience. The deep voice of David Radcliffe (I believe he is the singer of The Ghost of Johnny Cash) sounded really deep on the Capella, given the size of the speakers. Even the higher notes sounded full of dynamics and blended well as one coherent presentation. I can't pinpoint whether this system leans towards either side of the spectrum. Quite balanced in many ways.

While the Capella seems to be quite neutral, it does not mean it cannot belt out a heavy thumping bass sound. The percussion into on Soolaiman, it digs deep into the sound of the tom toms and at the same time, the sound of the snare and vocal remains to be sharp and melodious respectively. On this particular track, I really like that the Capella remains to be true to the original sound of Neil Diamond.

On the Chinese track by Zhao Peng, this is when my attention was at the peak as the Capella presented a sound that really pulled me into an emotional state. The soothing voice of Zhao Peng just flow right through my whole body regardless that it was not in a language that I can really understand. This is what I call a scenario where the music really spoke to me.

Now, on the last track by Elvis, this track supposed to be emotional as well as uplifting. I mean, he is The King of Rock & Roll. This is where I feel that the Capella felt a bit short with regards the energy on track like this. I could do with a little bit more power to elevate the 'struggle' that Elvis faced at that time. It was still immersive but not enough for me.

THE CONCLUSION

The Cappella is one capable wireless system. It offers both elegant looks and sound. The overall sound is neutral to me but it does not mean it is incapable to surface up the lows and highs when it is needed. The system is also very user friendly and connectivity is abundance. 

Where does it fair better? Against a conventional wired hifi or wireless lifestyle set up?

My answer is both. To me, the primary offering by Capella is the lifestyle set up with full flexibility on where to place the speakers and also to hide the main hub. However, I have no doubt, given a decent speaker stands and placement similar to a conventional system, it can deliver an at par experience.

The Capella can be demoed at The Expert Group Malaysia, located on Level 2, The Gardens Mall, Lingkaran Syed Putra, Mid Valley City, KL.

The Expert Group team will also be part of the upcoming Kuala Lumpur International AV show 2024, to be held at The Gardens Hotel from Friday 25th to Sunday 27th Oct  (10 am to 7 pm)

ATC SCM40A Active Speakers - Lusciously Good... on Both Sound and Sight

The ATC SCM40A (A for active) is not just another pair of speakers. When Kenny of Hiway Laser offered me to experience a full ATC set up in the comfort of my home, I did not know what to expect. My experience with ATC speakers and electronics have been limited to shop demo and KLIAV show. Though they sounded good in the shop, I always felt that they needed super duper efficient amp to properly push the full potential of ATC speakers. Given that, it is only appropriate that Kenny sent me a full ATC system i.e. ATC amplification through the built in active amps and the preamp as well.

THE BUILT AND SPECIFICATION

The beauty of having an active speaker is that it comes with a built in power amplifier. Hence, all you need is a preamp and connect it directly to the speakers. Mind you, you will need 2 power outlets as each side of the speaker will need to be connected to the power supply of its own.

The SCM40A comes with a dual suspension 25 mm soft dome tweeter and 75 mm soft dome mid range driver. It is completed with a 164 mm bass driver. The amp is a Class A/B 242 watter (tri amp; split into 150 W for bass, 60 W for mids and 32 W for tweeter).

When fully set up, the speakers will take up (HxWxD): 980 x 370 x 344mm (inc. foot plinth & amp, spikes add 25mm to height, grill adds 34mm to depth) of space. It is bigger compared to my PMC Twenty5.24. Each speaker weighs 36 KG and it needs 2 people to set it up.

For full specifications,  please visit ATC SCM40A.

I was also given 2 different pre amps to review, the CA2 MK II and CDA2 Mk II

The CA2 comes with 5 line inputs and a pair of XLR and RCA outputs. There is also an additional sub port and tape and headphone outputs.  The headphone outout is a little bit inconvenient as it is located at the rear panel. One of the inputs also offers an RIAA phono input, configurable to both MM and MC.

The CDA2 Mk II is an all discrete class A pre amplifier.  It comes with 2 analogue inputs via RCA and 1 via 3.5 mm mini jack. It is also a CD player on its own with premium AKM 32 bit DAC. Another unique input is the USB input with 384 kHz PCM data and native DSD256. I connected my SONY HAP Z1 ES and it is fully compatible. There is a slight click noise when changing from DSD to WAV files but negligible. 

THE LISTENING SESSION

Initially, Hi Way Laser provided me with the ATC CA2 MK II pre amp to match the speakers. I had a good 2 months with this babies so most of the review is based on this set up. I will briefly explain the difference when I changed to the CDA2 preamp.

With regards to the source, the review was mainly done on digital sources from the Sony HAP Z1 ES and ARCAM CDS50 SACD player. I tried connecting the analogue side of things either directly to the pre amp CA2 or via MF M1 ViNL and it sounded quite open and laidback. But for simplicity sake, I will stick to digital source.

Usually, I would list down the format/resolution of digital files that I use for the review. But this time around, I will be running a Guess The Format quiz. Hence, I will only list down the tracks.

1. Time To Blow by Del Paxton
2. Fragile bt Julio Iglesias
3. Somewhere Somebody by Jennifer Wearnes
4. Never Enough by Loren Allred
5. Gurindam Jiwa by M Daud Kilau
6. Tak Seindah Wajah by SM Salim 

Time To Blow by Del Paxton

On this track, the ATC combo presented an overall big soundstage, emphasizing on double bass delivery with a melodious piano sound. On percussion side, especially on the ride cymbal and rim shot, it was very evident to hear the extend of the dispersion. It made the overall sound full and not just bass filled. 

Fragile by Julio Iglesias

Just listen to that vocal. It sounds energised with lots of emotion. It maintains the soundstage scale like the previous track and at the same time, opens up Julio's vocal to spread across my listening hall. I must say that it was very pleasing to te ears to hear such clarity produced from my sources. The bass was not really evident like before but the overall presentation was leaning more towards a laidback but dynamic presentation. The overall sound was just very pleasing and made me want to dig up my other Julio tracks.

Somewhere Somebody by Jennifer Wearnes

Given that I loss the bass when I switched from Time To Blow to Fragile, I chose this track to test whether I can get best of both worlds. In my opinion, this is the track that delivered me the best performance of the combo. Bass was deep, extended without any signs of stress on the speakers and its built in amp. Vocal was sweet and full of emotions and the dynamics behind it was just mesmerizing. It will envelope the listener with such huge blanket of soundstage without losing any clarity to the microdetails of the track.

Never Enough by Loren Allred

How about the delivery of a very strong vocal requirement? This is one of the more modern track that demands a very capable system to really show the prowess of Loren's vocal. Loren vocal range can go low and really high throughot the track. This track gives me a really emotional impact when watching the movie and it is sometimes difficult to replicate that when listening to the audio track alone. But not with the ATC combo. I get goosebumps listening to this track. Loren's vocal was delivered with such intensity and strength that even at the high notes, although sharp, it sounded very melodious and detailed. At the same time, the sound of the instruments on this track also supplement the overall sound to be a wholesome experience, as if I was at the live show in the movie. However, I could do with a more dynamics on the instrument sound. It was a bit flat compared to he vocal.

Gurindam Jiwa by M Daud Kilau and Tak Seindah Wajah by S M Salim

M Daud Kilau, although some might see him as a weird singer, but in the local industry, he is one of the golden oldie artist that can deliver a very traditional vocal sound. On this track, the ATC combo managed to capture the emotion of this track and reproduce it with a very huge presentation with a deep focus on his vocal especially when it goes really low.

S. M. Salim is another golden oldie that can bring emotional tears to me especially whne played in the right enviroment and mood. On this track, the ATC kept it simple with high clarity of vocal and detailed note by note bass line. The violin also sounded sharp and full of energy. High level of dynamics were maintained throughout the track that made it very lively eventhough its a slow number.

THE CONCLUSION

The ATC SCM40A is a pair of speakers that will not only give you a highly detailed musical presentation but also huge and enveloping soundstage that will make you listen for long hours and try out different tracks frlom different genres. It was a pleasing experience eventough it was mainly digital based experience. Never once I felt fatigue listening to the his combo.

Who is this speakers for? First of all, it is for someone who wants a fuss free and headache free speakers. You do not need to worry about amp and speaker matching challenge and you will get the flexibility of choosing just the pre amp. I will explain more in my next article on CDA2 MkII.

Secondly, if you want strong presence of vocal and non fatigued experience of high frequency, the ATCSCM40A excels in this. Melodious and full of energy. You will be able to experience this across your listening area.

Thirdly, it is for those who wants best of both worlds; sound and view. The SCM40A is a looker compared to my PMC. 

Is it a bass nutter? Not really, it delivers clean bass but it will not shake your house down. This helps to even further deliver a strong musical sound, huge soundstage but will not give you listening fatigue at all.

The SCM40A is a worthy speakers for those looking for to upgrade/purchase a new pair of speakers and amplifier. The SCM40A is priced at RM46,750 and the CA2 MK II pre amp is at RM 12,500.

Please contact Kenny on 019-2813399 for audition.