Wednesday, 25 March 2015

2015 KLIAV Show Media Launch

The media launch and press conference for the annual Kuala Lumpur International AV show was held today at JW Marriott hotel in Bukit Bintang. 

Mr. Dick Tan, head honcho of 3DotEvent, mentioned that this year's show tag line is Big Sound Equals to Big Picture. Referring to the latest AV craze of Dolby ATMOS will be featured by some of the exhibitors.

Despite the uncertainty of how GST will truly impact the show, the exhibitors were still enthusiastic about the year's show. At the time of press conference, there were only 3 more rooms left to be filled up.

The usual local hifi and headfi distributors, the crew from Malay Mail and AV2day chief were all present. 

  • James Tan and Tony Low of AV Designs
  • Maxx Loh of Maxx Audio
  • Joseph Ki whom is back this year with his system
  • John Yew of CMY
  • Yuheng of Jaben
  • Willy Low of AV2day.com among others
  • David Low of Audio Art
  • ..... and a new entry this year..
  • Mr. Adnan Ahmad of KOGA Audio... founder and designer of the Pentha, D'Bomb and Aimez amplification. Another local hifi designer and manufacturer after the debut of HiFi Creations last year which showcased the Arpeggio Pensato speakers.
There was also a lucky draw during the launching where selected BD titles were given away plus BD players and headphones.

For this year show, there will also be the 4th Commemorative CD given for free for paying attendees of the show.

Mr. Dick Tan will also be arranging for a couple hifi talks and seminar for this event.

KLIAV show will be held on 3rd to 5th July in JW Marriott. Be there or be square.

Sunday, 15 March 2015

KOGA Audio d'Bomb Power Amp - Solidly Soulful





The KOGA Audio d'Bomb is not really new to me. The first time I had the pleasure to listen to its 'nakedness' was sometime in 2014 during the audiophile gathering of a few members of our FB group What Are You Listening To Right Now? Group. Refer to the pictures above, the d'Bomb was fully tested my with ProAc D18. All the attendees was well pleased with the power amp. Don't be fooled by its look. Mounted on a wooden box and looks like it was built overnight. The sound was so big and airy that it was hard for us to go back to my main set up.

Nevertheless, this was the unit that triggered the designer to kick off KOGA Audio & Electronics. After much support and recommendation of the group members of KOGAM, the Aimez hybrid power amp and Pentha pre-amp came out to be the first and second line up of its products. This d'Bomb was then costume-ized with proper casing and mounting.

THE SETUP

After the session with KOGA Aimez Hybrid Power Amp, I have decided to go for a similar set up of my own system:
  • Musical Fidelity M1 CDT - CD Player
  • Dell laptop - CAS
  • Musical Fidelity M6 DAC
  • KOGA Pentha pre amp
  • KOGA d'Bomb Power Amp
  • Speaker Cable - Siltech Classic Anniversary 330L
  • Interconnects - Siltech AES/EBU digital cable, Siltech RCA 


FIRST IMPRESSION

It started off to sound quite thin in the first few minutes of the unit being hooked up to my system. However, the underwhelming feeling changed when I put on a track from the KOGA sampler CD. Sound was forceful and solid in many ways.  A burst of enery was injected in comparison to the Aimez model.



SPECIFICATION

The unit came in a similar sized black matte casing of the Aimez although it is slightly heavier than the Aimez. The front fascia just comes with a sexy blue lit power button which matches well with the rest of my set up. The rear is equipped with input a pair of gold plated RCA input for connecting to a pre amp (recommended to be with Pentha) and a 2 pairs of speaker binding post that can take standard banana plugs. It also comes with a standard 3 pin plug power cable. The basic specs:
  • Freq response 10-30kHz
  • Input impedance 50kOhm
  • Output impedance 4-8 ohm
  • Built-in speaker protection
  • Full discrete Class AB amplifier.
  • High current output.
  • 40 watts RMS per channel
TEST TRACKS
  • Angin Kencang (Live Piano Version) - Noh Salleh (MP3 - 256 kbps)
  • Widuri - Broery Marantika (CD)
  • You Were Always On My Mind - Willie Nelson (CD)
  • The Last Goodbye - Billy Boyd (MP3 - 256 kbps)
  • Gabriele's Oboe - Ennio Morricone (MP3 - 256 kbps)
  • All Outta Angst - NOFX (CD)
THE SESSION

Angin Kencang is my new obsession ever since the release of the LP version a few weeks back. The live piano version became my first choice as it sounded superb on LP. Big and spacious but when played the iTunes version, it lost all the excitement and big airy sound. But with the addition of the d'Bomb, the big and spacious sound was back. Each note of piano was fully extended, providing a deep and detail presentation and the huskiness of Noh's vocal was extremely emotional. The d'Bomb injected such a lively atmosphere to this song that it felt that I was indeed in a live concert. The high strung sound of the piano was really high pitched but it was far from sounding irritating. Perfectly delivered.



Playing an oldie song by Broery entitled Widuri, reminded me what music was all about - Emotion. This was my late mum's favourite song. Listening to this reminded me how she was cuddling me while listening to this song with my late father on his turntable. Broery's vocal was vibrating illustriously giving such a deep and bold presentation. Sound staging was big and elevated more compared to Aimez. The  saxophone sounded extended .. filling up the hall with such poise and authority but in a very ballad way. The musical body sounded very bold and solid.

Willie's rendition of You Were Always On My Mind is where this d'Bomb shined. I thought the Aimez already deliver all the gem from this track. Boy I was wrong. d'Bomb provided even a more detailed and expressive nature of this track. Layer after layer of emotion was presented  where there was a clear cohesiveness between Willie's vocal and all other musical instrument to make up that overall tonal balance. 

The Last Goodbye was another track that can show what d'Bomb can do to your system and justify the speakers you have.  Very open sound but details of the music was not lost nor dispersed at all. The overall presentation of this track mellowed towards subtle yet forceful.As the music builds up towards the last stage, d'Bomb continues to control the the honesty of any tracks fed through it. 

  

The track of Gabriele's Oboe, was sooooo soul touching. It is just flowing through air as it wraps your emotion and mind towards this masterpiece. Each wind instrument was telling a story via this d'Bomb. I cant help but to question my understanding about wattage. This is a 40 watter that does not show any sign of stress to drive my D18s. And it does not need me to crank up the volume beyond 10 am  to get a decent presentation. Most of this review was done in a moderate level of volume but the details that this d'Bomb can give is simply astonishing..

Now something for the bass. NOFX's All Outta Angst provides a mixture of solid bass drum, trumpet and back stroke guitar The trumpet intro was really smack in your face authoritativeness. Once the drums came in, every single kick pedal sound was delivered with a solid and full sound. Fat Mike's vocal was with great intonation as oppose his usual flat and lazy singing method. d'Bomb can handle some serious bass works with ease.

THE VERDICT

KOGA d'Bomb is indeed much more than its smaller brother Aimez in many ways. But it should not be compared between them as each unit caters for specific listeners preference. KOGA d'Bomb deserves to be partnered with medium to high sensitivity speakers. Spacious and big sound staging, authoritativeness, solid bass with no dispersion or sound loss, tonally balanced are just some of its strength.  If you can go for that extra dough, I fully recommend this model. It is priced at about RM800 ~USD 250. Listeners who would their system to sound big and yet full of detail, you owe it to yourself to audition this unit.

KOGA Audio can be contacted via email koga.audio@gmail.com 

And.... they are proud to announce that they will be participating in this year's KLIAV show between 3rd to 5th of July.

Thursday, 12 March 2015

HeadFi Community Service

A new-ish headfi outlet was broken into recently. If anyone encounter people trying to sell high end headfi items at ridiculously low price, please contact the Willy.

Sunday, 8 March 2015

Saturday, 7 March 2015

Malaysia Entertainment History! .... Puteri Gunung Ledang & Noh Salleh


This week in Malaysia, there were 2 exciting releases:
1. Puteri Gunung Ledang 10th Year Anniversary Limited Edition Bluray Boxset... first bluray for a Malaysian movie. Encoded with 5.1 DTS HD Master Audio and remastered picture quality for high def.
2. Noh Salleh's long awaited LP. Pressed in Germany in 45 RPM. Excellent sound quality.
Watch out for the review soon.

A very fine blu ray box set release for this legendary Malaysian movie. Kudos to Datin Seri Tiara and her team for all the hard work making this movie 10 years ago and also for the high quality remastering of the audio and visual of this movie into this blu ray masterpiece.

The packaging alone was also of high quality design. Complete with high density photos of some of the scenes, an audio CD and also a simple booklet. Outer packaging is also classy.

Picture quality is of the finest I have seen so far for local movies. The colours came out vivid and realistic. It was difficult to spot any CGI graphics unless you focus and try to look for one. Every single detail on people's face expression was very clear and refine. Yes, I was having the Darbee on, but even when I turn it off, it was still better than any other local movies I have experienced with. 

Audio quality was with 5.1 DTS HD MASTER AUDIO. The result of the remastering into this was mesmerising. Often enough the rear channel managed to create an atmosphere on top of Gunung Ledang with the birds chirping etc. As I was using my front height speaker to produce 7.1 channel, the scene at the waterfall where Hang Tuah met his love, a very big soundstage was created with the front height speakers producing a waterfall effect covering my front wall.

However, the LFE could have been enhanced more. The one or two scenes with explosions when Hang Tuah was fighting with the King of Majapahit mano et mano, the mastering did not manage to give the vibration that I usually enjoy from my SVS subwoofer.

Dialogue on the centre channel was crystal clear and mixed well with the front left and right channel and also the front height.



Overall, it was  good buy as this movie is just not classy, but with this high quality production of bluray, the other local movie makers should take the cue from Datin Seri and produce more of this high quality movies.





In my record, Noh Salleh is the 3rd Malaysian artist that have jumped onto the LP production bandwagon. First was Zee Avi, then Aizat and then comes Noh.

Although this mini album was released a few months back, Noh's decision to issue the album in LP was good one. And he did not deprive his fans from having a high quality in sound and made on this LP. Pressed in Germany I was told, Noh decided to issue it in 45 RPM mode.

Sound quality is at par as per some of my audiophile quality. If I was to give a name, it might be as comparable to MoFi.

Kudos to Noh and his team for producing such high quality LP....and music for that fact.

Next month... Sil Khannaz LP to reviewed. 

Tuesday, 3 March 2015

The Legendary Puteri Gunung Ledang Now On Bluray

One of the most successful local movies.... now available on Bluray... and an option for boxset as well.

Will be receiving mine latest by 9th March.

For those interested to purchase, please contact Alice:

Alice Thomas (Ms.)

Enfiniti Vision Media Sdn. Bhd.
No.28-2, Jalan PJU 5/20D,
Pusat Perdagangan Kota Damansara,
Kota Damansara PJU 5,
47810 Petaling Jaya, Selangor

T: +603.6142.9877
F: +603.6142.7978
M:+6012.712 2425

Saturday, 28 February 2015

KOGA Audio Pentha: Luscious Pre





After the exhilarating experience with KOGA Aimez , I wanted to hear the capability of a full KOGA amplification. Hence, KOGA Audio have came up with a single input Pre-Amp named Pentha. And I received it in a timely manner..... on the first day of a 4 days long weekend of CNY. Had so much fun over the 4 days weekend with this unit.

PRODUCT INFO/SPECS


The Pentha is a 2 box pre amp; consists of the main unit and PSU. This reference prototype comes with a single RCA input, specifically for CDP/DAC input located at the rear side. The fascia is simple on the main unit, just a volume knob. Minimalist is the designer's philosophy.


It also comes with a pre out to connect to KOGA Aimez or any other power amp.

Its a mini sized pre amp, frill free design with the following specs.

Full Class A amplification using only discrete semiconductors, ie no opamps
Input sensitivity : 150 mV-2V (adjustable)
Input impedance : 47 kOhm
Load impedance : 10 kOhm (min)
Supply Voltage : 24 Vac
Finishing : Anodized Grey or Matte Black

THE SETUP

After the session with KOGA Aimez Hybrid Power Amp, I have decided to go for a similar set up of my own system:
  • Musical Fidelity M1 CDT - CD Player
  • SONY MDS JA20ES - MD player
  • Dell laptop - CAS
  • Musical Fidelity M6 DAC
  • KOGA Aimez Hybrid Power Amp
  • Speaker Cable - Siltech Classic Anniversary 330L
  • Interconnects - Siltech AES/EBU digital cable, Siltech RCA 

FIRST IMPRESSION



I played the track Always On My Mind by Willie Nelson from the KOGA Sampler CD (excuse the voice of my kids in the background). I could not believe my ears how big the sound stage is.  The Pentha was definitely designed perfectly to pair with the Aimez.

THE SETLIST

In order to have a more apple to apple comparison with my previous review of the KOGA Aimez hybrid power amp, I used the same track list for this combo.
  • Time To Blow - Del Paxton (CD)
  • Metallica - Enter Sandman (Hi Res FLAC - 24/96)
  • Era Gia Tutto Previsto - Andrea Bocelli (MP3 256 kbps)
  • Mustika - M. Nasir (MP3 192 kbps)
  • Viopipe - Butterfingers (MP3 320 kbps)
  • Hotel California - Eagles (Hi Res FLAC - 24/192)
  • Bamboleo - Gypsy Kings (MP3 320 kbps)
  • KOGA Sampler - Various test music (CD)

THE SESSION

I had the opportunity to 'use and abuse' this combo for a good 4 days over the long CNY weekend. And continued listening to it for another week for about 2 hours a day.

Time To Blow sounded more lean this time. The double bass was still the highlight, but the Pentha just injected another element of tonal balance where all the instrument  blended in even better than when the Aimez power amp was reviewed previously. The sound of the crown on the ride cymbal sounded very crisp and the piano sound was delivered with a little bit of warmth injected to it. Very enjoyable when coupled with the big soundstage the Aimez is delivering

Enter Sandman sounded more controlled and tight compared to the airy experience I had in my previous review. The Pentha just smoothen things up when paired with the KOGA Aimez. The bass sounded fuller and tight but with a bigger soundstage, The shredding guitar of Kirk was highly pitched but it did not sound irritating at all as the Pentha just balance it out with a pinch of low end  envelope. Metallica sounded fierce and authoritative, And I like it.


Era Gia Tutto Previsto was presented in a more uplifting experience where Andrea's vocal sounded more toned and bold with a pinch of low end signature. The Pentha injected a bit more life compared to my  previous review. I particularly like how the deep vocal of Andrea was delivered in a manner as if you can feel that its coming out deep from his vocal cords. Exhilarating. The instrument used on this track was also placed and conveyed in a very layered presentation. I felt like the various instrument coherently blended in with the vocals.

The bass in the track Mustika suddenly appears which balances out the high frequency that was really evident in my previous review.It created a new sound field  where M. Nasir's vocals filled up the room more with real life strength. Big and bold but melodious and full of soul. The angklung sounded very traditional as it should be  and the classical guitar solo had the right amount of reverb to create a lively solo part.

Viopipe however gave me a totally different presentation. I lost the grunge rawness of this track. The violin still had good delivery but the extra bass that came with this track made it sound warm and pop-ish. It was un-grunged.. The drums on this track sounded more full instead of hollow as I believe it was intended to be.Still very enjoyable but I prefer the raw sound of the previous review.

The swooshing sound at the beginning of the Hotel California track was more evident this time around. The guitar works sounded bigger and the upstroke was definitely detail and crisp as per previous review.  However, the overall track sounded livelier and opened up. The high pinch sound from the guitar was less evident most probably balanced out by a cleaner and solid bass delivery. Vocal and drums were the highlight to me. Very emotional delivery for the vocals and clean and timely delivery by the percussion sound.

In Bamboleo is where it truly shined. Even at a lower volume, the different layers of guitar sound can be easily identified. Not only the guitar, even the castanets sounded very clear and crisp.The separation between instrument was very unique where as if the sound was being released one after another.  The vocals sounded very energetic and it had a sense of authority which I didn't experienced this before.


CONCLUSIONS

So, what did Pentha do to the Aimez? It basically balances out the high frequency delivery of the Aimez, in a nutshell. Its a neat simplified pre amp for a simple set up with just one source to handle. It matches perfectly with the Aimez.

Who will enjoy this combo? I believe....

  • Someone looking for a small and simple system
  • Someone looking for a high quality sound but with limited budget. I believe this combo will only cost less than RM1,000 ~ USD280
  • Jazz, vocals, metal and complex arrangement music lover

Saturday, 21 February 2015

Tour De HiFi by Steve R. Rochlin



Had the chance to join in the local hifi group during Steve's visit. Thanks to Frank Voon for setting it all up. Read all about it here....

Tour De HiFi by Steve R. Rochlin

Sunday, 15 February 2015

Hi Res Can Be Musical Too

It has been a while since the last time I played some serious hi res music. Felt like some easy listening and easy manoeuvring around my music selection. Hence, here I go with some great selection.  All on FLAC 24/96.

Sunday, 8 February 2015

KOGA Pentha Is Coming Your Way

After the debut of Aimez hybrid power amp, KOGA Audio is ready to launch the Pentha pre amp.

Cant wait for the demo unit.

Tuesday, 3 February 2015

TAD/Passlabs System

Had a chance to listen to this beautiful set up today. Kudos to the owner who has done a fantastic job in room acoustic for this system to fully shine.

Monday, 2 February 2015

KOGA Aimez - Handcrafted Hybrid Power Amp





After the long agony of waiting, I was presented with the reference (prototype) unit with the serial number : 00001 by KOGA Audio. In fact, I could not wait till Friday evening, hence I went and collected the unit from the maker on Thursday evening. After putting the kids to sleep, I decided to hook up this hybrid power amp and by the time I have done that, it was already past midnight. Nevertheless, it was a worthwhile the hard work.

PRODUCT INFO/SPECS

The unit is decently sized to fit nicely into a simple small set up. Came in black ash but the maker may be able to accommodate special request of other colours.

It is a class A/B hybrid power amp, hand built by the maker. So, what is a hybrid amp? In short, it is a mixture of tube and solid state amp. 

  • Power Output - 30W RMS/channel
  • THD - 0.02%
  • Frequency Response - 20Hz - 50kHz +0, -3 dB
  • Input Impedance - 55kOhms
It is a simple design with an on/off switch on the front. Red/amber when on and blue when it is off. Decent gold plated speaker terminals for use with standard banana plugs and also gold plated RCA input to connect the pre amp. There is also fail safe fuse.


THE SETUP

  • Musical Fidelity M1 CLiC - DAC/Streamer pre amp
  • Musical Fidelity M1 CDT - CD Player
  • SONY MDS JA20ES - MD player
  • Dell laptop - CAS
  • KOGA Aimez Hybrid Power Amp
  • Speaker Cable - Ixos 604
  • Interconnects - Cambridge Audio



FIRST IMPRESSION



I have never heard a hybrid before. Although some people say the NAD Amp I reviewed before was a hybrid as well. Nevertheless, it was quite an eye opener (or is it ear opener?) first impression for me. Huge sound stage, sound was dispersed widely and fills up my hall. A bit shy on the bass but not soft. Vocals feel alive and bold. Even with an MP3 320 kbps file streamed over wifi sounded very much lively and have some natural prowess in the delivery.


THE SETLIST

  • Time To Blow - Del Paxton (CD)
  • Metallica - Enter Sandman (Hi Res FLAC - 24/96)
  • Era Gia Tutto Previsto - Andrea Bocelli (MP3 256 kbps)
  • Mustika - M. Nasir (MP3 192 kbps)
  • Viopipe - Butterfingers (MP3 320 kbps)
  • Hotel California - Eagles (Hi Res FLAC - 24/192)
  • Bamboleo - Gypsy Kings (MP3 320 kbps)
  • KOGA Sampler - Various test music (CD)
THE SESSION

Since the unit was a reference/prototype unit, it was already fully run in. However, since I had the time, by the time I reviewed it, it has already gone through about 30 hours of listening with of 50 songs.

Del Paxton's Time To Blow was...mind-blowing. The double bass on this was a killer. The Aimez delivered such a powerful  bass that was clean, defined and refined. At the same time, it fill up my hall with such enjoyment. The piano was entertaining and blended well with the blues guitar. The Aimez delivered a very clear description of what jazz is all about. Percussion was another high point where the drumming was also very hard hitting where the tom toms sounded hollow as it should be.


Enter the Enter Sandman and the bass was just extraordinary. The dispersion of the drums intro was room filling experience. I usually like my drums to sound tight and punchy, but the Aimez elevated sound just give a different sound to my ProAc D18. I ask myself, how my D18 can do this? I mean, I have tried my D18 with various Musical Fidelity amps, Magnet, NAD, Marantz etc, and although these amps have their own character, the D18 character was still there. I was struggling to find that D18 character with this Aimez. At times, it sounded like PMC which is another favorite of mine. James's vocal was not as upfront as how I used to notice with this track but was still nicely delivered. Guitar riffs was timely and the solo sharp and timely. 

Andrea's rendition of Era Gia Tutto Previsto was the highlight of my session. I usually only listen to this song on my audiophile quality LP as oppose to the MP3 version, but the Aimez delivered this track flawlessly to me. Layer and layer of different instrumentation can be heard without compromising the Andrea's powerful vocal. The whole track was presented in a more elevated signature as if there was a presence speakers above my D18s. His vocal was bold and and energetic but at the same time was very melodramatic.

Closer to the local scene, M. Nasir's Mustika is one of the local songs that combined traditional and modern instruments in one fusion track. The sound of gamelan, angklung etc was very evidently detail and layered across the whole track. The classical guitar solo was clean and crisp in its delivery. The vocal was also very melodious but at certain point, the high frequency was also quite prominent. 

Butterfingers... Malaysian's very own grunge band from the mid 90's... has  this particular track called Viopipe which has always been on my percussion tracklist but never been used in a hifi review before. But given this Aimez is Malaysian made.... and it is in its raw style... I thought it is time that Viopipe is tested. And it was good. Kalai's drumming on this track was a typical old skool grunge/school band drumming. Raw. The bass drum on this was very punchy and the snare was sharp and hard hitting and yet still you can hear the dispersion of the wire below the snare. Emmet's violin was presented in a very melodious but grungy way which hit my emotional side. Emotions that brought me back to the times where I used to be active in the underground scene... either as a drummer or a gig-going, pogo-loving nut head. 

Hotel California swirling intro was very airy and the guitar works was crisp. Each upstroke of the guitar was very detail and clear. The low end frequency was also abundant but very tonally balanced. At certain part, the screeching lead guitar solo was a bit pinching but not excessive. Vocal was not really upfront but was still a good balance. But the strength was definitely how it deliver the drums on this track. Perfect. Very seldom I can hear such detail on drums where each strike on different type of cymbals was really crystal clear.

One thing I noticed about the Aimez, it can deliver layer and layer of music that is quite unique. Hence, I have to try the track Bamboleo from Gypsy Kings purely for its multiple guitar performance. And of course, the strumming and solo of the classical/acoustic guitar was so lively and clean that it reminded me of the time I was at their show in Spain. Definitely another emotional experience listening to this. And the percussion behind the guitars was also very lively and similar to the other tracks tested, the overall performance was just airy and elevated to a new height through my system.

Now, I was also provided with KOGA Sampler CD (which every buyer of KOGA products will be provided with as well). Its a mixture of various musical genre and language for that matter. Is a must have compilation. It really tested the limit of my speakers with very complex musical arrangement.

SO, WHO OR WHAT IS KOGA?

KOGA is actually will be Malaysian first built-to-your-spec hifi designer. The designer will take into account the musical genre you listen to, your speakers and your source and most importantly, your budget to suit the sound characteristics that you want. Wattage? High current? SS? tube? Hybrid? Monoblocks? You name it.... give your budget... and the designer will recommend the most suitable product for you.

Even the casing can be custom made to your desire. Colour, material, display etc can be made to suit the deco of the rest of your hifi set up.

CONCLUSION

A definitely fine product as a debut for KOGA Audio. Big sound from small wattage, with such warm but bold presentation. Enhances the low end frequency for any system and injects certain liveliness to anyone's system that needs a little bit of excitement. The high frequencies can be a little too much for some but at the same time, it can really give you that satisfying metal feeling for the metalheads.

If you are looking for a simplistic, custom made hybrid amp, I would recommend you to demo KOGA Aimez. Don't be fooled by the 30 wattage, it can definitely deliver much more than that musically.

For hifi beginners or head-fi-ers, this is the best way to get into this hobby.  Just get a QED u-Play bluetooth kit or even AE, a pair of speakers...and voila... you got yourself a neat little hifi system.

KOGA Audio amps can be purchased starting from RM 400 (~USD120). KOGA Audio can be contacted via email koga.audio@gmail.com 








Thursday, 29 January 2015

OPPO HA-1 As A System Main DAC


I have incorporated my OPPO HA-1 into my home cinema set up to act as the 'main' DAC for this system. A big step up in SQ from feeding the SONY CDP XB930E digitally to the Yamaha RXV2067 AVR.

I am liking it a lot. Will give it a go for a few weeks before a review is written.

Friday, 23 January 2015

....And Another Bold Effort


The local music scene is getting more serious with LP... As far as I can remember, in the past 2 years, we have Zee Avi, Aizat, Carburetor Dung and upcoming ones... Sil Khannaz and Noh Salleh.

Happy to see this.I do hope however, they come up with quality pressing.

Wednesday, 21 January 2015

Metal Adrenalin - Vinyl Style

Another bold effort from one of our local underground bands Sil Khannaz. Book yours today.

Sunday, 18 January 2015

Shunyata Research DARK FIELD CABLE ELEVATOR - Late Getting on The Bandwagon





I must admit that I have never been able to set up my cables properly. I tried and I tried but I will still end up with speaker cables, interconnect and power cables kris-krossing each other (yes I am referring to Kris Kross).. Nevertheless, this review is not about cable management directly, but its about cable elevation.

The journey through the hifi scene will never be complete without the constant debate of what can affect positively or negatively the sound reproduction of a hifi system. While some of the debates are supported by a very clear scientific explanation, the others are claimed to be myths or a more popular term in hifi - Snake Oil!

When it comes to cable elevation, it is claimed that it will reduce electricity build up and also control vibration in the cable. Hmmmm... I guess there are at molecular level...vibration in the cable... but to what extend does it impact the sound? I always believe that the cable elevators were more to support those super duper heavy premium cables to avoid any damage to the speaker terminals due to the weight of the cables. Naive of me.

My first encounter of cable elevation is a few years ago with Tombo Audio. At that time, there was some positive impact. One of the main reasons I didn't purchase any elevators before was mainly due to price. Some can go up to  RM150/piece (~USD50) and you need at least 8 pieces for a moderate length of cable. So, when I saw Tombo Audio elevators was affordable, I purchased a couple.

Then comes the 2014 'year end sale' from Maxx Audio on these Shunyata Dark Field Cable Elevators (DFCE). At RM50/used piece and not sold in a set of 12, I immediately requested for 6 units (and added another 2 a couple of weeks later). And yes, I must be like 5 or 6 years late in trying these as I believe there is already a version 3 of these. And after 2 weeks of having these DFCE, this is my take on this.

FIRST IMPRESSION

Yes. It did change the overall presentation of my system. Better? Worst? Just different. Andrea's rendition of Era Gia Tutto Previsto sounded bigger than usual in the first test. The biggest change was the bass. It sounded a bit bloated. Or did it reduce the treble? Hard to say. The vocals however was still mesmerizing. But it just sounded a little bit to mixed up. Not the result I expected. This is using music from my laptop, upsampled to 192kHz via M6 DAC.

Next, I put on That Thing You Do on CD via the same DAC. Why this? Well, I just managed to get a BD of this movie and just in a mood for some snappy music. But the jazz track on this OST, something else. And yes... It was good. Its different compared to Andrea's song just now. The bass still on the heavy side but I like it that way especially coming from the double bass.

THE SESSION

After 1 week or so, I had a more serious sit down session. First track was Tracy Chapman's Talk About Revolution on LP. Yes yes and yes. The overall presentation sounded bigger and fuller. Livelier than what I remember from my system before these DFCE were put into the equation. Her vocals was brought up even more detail, creating an environment of spaciousness. I would use the home theatre analogy of as if my set up was having presence speakers. The drums on this track was tight  sounding where the snare dispersion sounded very crisp. LIKE.

The second track put on was Metallica's Tuesday Gone. The guitar intro was presented in a more bold and dark manner as oppose to a cleaner acoustic experience I had before.  Again, the bass was heavier. At this stage, I started to ask myself. Are these DFCE bringing up the bass I didnt hear before or actually reducing the high freq of the music? The bass does not really sounded over bearing but its like there was a 'boost' function on my amp. LIKE the bass but Didnt like loosing the acoustic experience of this song. Even the harmonica didnt sound like it blended well with the overall music.

Then for fun, I put on Mithali Cintaku by Utopia (I guess only the rock kapak lovers would know this). Hah! The least expected track is the one that gave me the best impact. These 80s/90s local rock music was never recorded with high quality if compared to today's standard. Even their re-mastering CDs post year 2000, is nothing to shout about. But, with these DFCEs, the overall presentation from this remastered digital track, sounded clear, well balanced across various frequencies, the old school shredding guitar sound was refreshing and the drums didnt sound as hollow as before.

Next was Bring It On Home To Me by Sam Cooke. Oldies, jazz and easy listening seems to benefit a lot from these DFCE. Bringing out more life to the music. The simple bass notes can be clearly heard and every hit of the drumsticks onto the ride cymbal was also very evident. 

The Last Goodbye by Billy Boyd was another track that benefited from these DFCE. Bold and authoritative vocals and 'Hobbit-ish' atmosphere filled my hall with such passion and emotion. Had to repeat this track just to double check what I heard.

Can't help but to feel that not all music genre will benefit from these DFCE.So, I put on Foo Fighters Something For Nothing from their latest album. It was good. Grohl's vocal was as growling as usual and the guitar riffs were also very heavy indeed. But very well balanced.

CONCLUSIONS

What does these DFCE do actually? I dont know. I cannot verify the claim of reducing the vibration or electricity build up. It does change the sound. Most evident is it brings up the overall presentation to a different level. It elevates the soundstage to a certain extend. As the name suggests, it does make the sound sounds darker and bold. 

I think its very system dependent. If your system is in need of some bass colour, this will help. 

Its also very source dependent. LP seems to benefit most followed by CD and the least is my CAS.

Apparently, there is also a claim that the number of DFCE used can also provide different impact. I tried using 3 piece a side and followed by 4. Then went back to 3 and then settled with 4. No different in sound for me.  

If you want to experiment with these DFCE, quickly contact Maxx Audio. I believe the has another 12 pieces for sale. 


Wednesday, 14 January 2015

KOGA - Update #1


The official corporate logo of KOGA is here.... and the first 2 products available for order/booking are:

1. KOGA Aimez - Hybrid Power Amplifier
2. KOGA Prizm - Solid State buffer amp

Still waiting anxiously for their reference unit to be ready for review.


Saturday, 10 January 2015

KOGA - Something Is Brewing in Malaysia!

I am proud to announce the birth of a new local hifi designer that just hit the circle of hifi enthusiasts; by the name of KOGA. Currently, the amplification units are being run in for a full blown test. The pre amp (KOGA Jr) and power amp (KOGA MK 1), are no-nonsense performers. Based on a prototype amp that was presented to me last year which insanely drove my ProAC D18 to its limit, these pre-power combo is already giving out phenomenal impact on a few local hifi enthusiasts.

These photos are just from the designer's pre-test set up. A full set of photos of the end product are on their way to my good self.

At this stage, I am trying to get more technical details of these units. 





Thursday, 1 January 2015

2015 - A New Look

After 2 years of looking Orange and dull, I decided to change the blog template this year.

Just feel like having a new look since most probably my hifi set up will remain the same look this year.

Hopefully, readers can navigate through the page easily.