Tuesday, 17 April 2012

Musical Fidelity M1 PWR Power Amp

This must be the most non conventional and challenging review I have done so far. This is due to the following reasons:

1. First time I am listening to a Class D amp. I didnt know what to expect. Maybe this is a good thing, maybe not.

2. Although the manual says that it matches the M1, M3 and M6 series of MF amps, I was still skeptical due to the different power rating and also different class of amp. My M6i is a Class A amp.

3. I am using Siltech and QED to bi amp the D18s at the moment.

A little bit something about the PWR amps.


The PWR is designed in a shoe box size, to match the rest of the M1 series. It comes in either black or silver finish. Of course I opted for the black since the rest of my kit is black.

It weighs 3.9 KG unboxed. Light for a power amp to me.

The finishing, front and back fascia is as expected to be of good quality. The front fascia comes with soft push Power/Standby switch (with LEd indicators) plus another 2 LED indicators for mono and temperature.

The LED for power/standby however, MF seems to be inconsistent in its design of the differnt components in the M series.. Each different unit have different indicator LED:

1. M1 CDT - Amber for standby, no light for On

2. M1 CLiC - Amber for standby, blue for On

3. M1 HPA - Amber for standby, blue for On

4. M1 ViNL - Amber for standby, no light for On

5. M1 DAC (first edition) - hard push button with blue for On.

6. M6i amp - hard push button with blue for On

7. M1 PWR power amp - Amber for standby, blue for On.

This actually bugs me quite a bit. Odd eh?

On the rear, 2 pairs of left and right speaker terminals, mono/stereo switch, input and loop out RCA connection and also low voltage trigger switch.

It comes with a UK 3 pin power cable which I like.

Basic specs

It is suppose to provide:

1. In stereo mode - 65 WPC into 8 ohm and 130 wpc into 4 ohm

2. In mono mode - 100 WPC into 8 ohm and 200 WPC into 4 ohm

So, why Class D? Feedback from Antony Michaelson - It suppose to operate more efficiently and produces less heat.

As far as I know, Class D amps have been around for sometime. However, though it might be more efficient ie less heat, smaller heat sinks etc, it has not been able to produce high quality sound as most audiophiles long for.

The set up

LTB Enterprise provided me a pair of these PWR power amps eventhough I actually one needed one to bi amp my D18s.

So, I had the chance to have a few set up configurations:

1. Bi amp in mono mode (using Siltech 330L and QED Silver Anniversary XT)

2. Bi amp in stereo mode (using Siltech 330L and QED Silver Anniversary XT)

3. Direct single wiring to the PWR in stereo from the CLiC (using Siltech 330L)

NOTE: for set up 1 and 2 above, the PWR amps are used to run tweeters.

The Session

Review was done using the following tracks:

1.Aaron Neville - Louisiana on CD

2. Andrew Bocelli - Time to Say Goodbye on CD

3. The Eagles - Hotel California on 24/192 hi res via CLiC

4. Eric Clapton - Tears in Heavan on LP

5. Foo Fighters - My Hero on MP3 320 kbps

First in mono mode, I Immediately noticed the way the D18s reacted when bi amped. Mind you, when I bought the D18s, I was bi amping them with my previous MF XA1 and XA50 monoblocks amplification and I really liked it. So, first and foremost, I am re-convinced that I personally can and able to hear differences when a speaker is bi-amped.

However, fresh from the box, these PWR sounded a bit bright on the tweeters. Sad to say, on tracks by Aaron and Andrea, the high end vocals can be a bit pinching to my ears and sounded very sharp. It can really overwhelm the bass of the D18s that were driven by the M6i.

I was a bit concern to then play the hi res Hotel california. But nevertheless, still tried it on and as expected can be a bit shrieking sounding. At this point, I was rather disappointed.

Playing Eric on LP took away that high pitch sound from the tweeters. But then I attribute that to the TT and M1 ViNL.

Playing My Hero (lots of bass pedal), I noticed that the bass is very detailed and controlled. Each kick pedal and toms played on this track can be heard clearly. But, I believe this is an effect of bi amping and not necessarily due to the PWR amps.

Ended the first night with a mixture of thoughts:

1. Bi amping my D18s is good to me

2. Is the PWR power amp a good match to my M6i and D18? NOT Sure.

I then let the unit run in with Hotel California on repeat th whole night.

The next morning, I had a listen for 30 minutes before leaving for work and let the unit run in the whole day. It sounded a bit different but still did not convince me.

After running in for 24 hours, to my despair, still not much different.

Is 100 wpc to run tweeters is an overkill? I ask myself. Maybe. Maybe not.

I then switched to Stereo Mode.

My my my...dont ask me why and how. It completely changed the sound stage. The PWR are still running the tweeters but its no longer sounded high pitched. In fact sweet, luscious and fluid are some of the description I can say about this power amp.

So, does mono vs stereo mode makes a different? To me yes. Is it due to the difference in power supplied by the modes? Not sure. Or is it due to the Class D sound characteristics?

The vocals of Aaron and Andrea sounded very uplifting and there is a small injection of clarity. It just sounded clearer and more detailed than before.

The best improvement from switching to mono mode is on Hotel California and My Hero. The shrieking sound has gone and Hotel California sounded bold and nostalgic. There was a moment that one can feel re-living the yesteryears.

And on My Hero, I can just feel the openness injected into the listening atmosphere. It just compliments further the controlled bass on the D18s from the M6i.

Now, 2 elements have come into place:

1. Effect of bi amping

2. Operating mode of the PWR amps

I have deduced the following:

1. Bi amping my D18s have provided me with a more controlled low ends

2. The different operating modes of the PWR amps have effects on the sound produced (especially if it is used to run tweeters)

So, for the final review, how does this PWR perform on its own? So I took out the bi amping element by connecting the PWR amps in stereo mode to the CLiC via the Variant RCA Connection. NOTE: Volume is now controlled by the CLiC. I then single wired the D18s to the PWR using the Siltech 330L speaker cable.

I can only now use Hotel California and My Hero as music reference.

First I notice is that I needed to crank up the volume (digitally) on the volume to about ¾ of a full bar to get a decent listening volume. However, the characteristics of the sound I heard before was still there. The high pitch was there but since its also running the woofers on my D18s, it did not really overwhelm the low ends of the listening experience. I lost the low ends control that I was enjoying when the D18s were bi amped.

I had to repeatedly tell myself NOT to compare with M6i amp as I started to discredit the PWR amps. It’s not a fair comparison between them. And my quest to bi amp my D18s should not be compared or linked to M1 PWR amp performance.

Putting that aside, I must say the PWR power amps compliments the CLiC quite nicely. Can it run my D18s? Yes it can do that. No struggle at all. Will it be an easy match to any speakers? I would have to say NO. You will have to audition these babies with your own speakers. In general, I feel that this Class D amp matches well with speakers without metal tweeters. If I still have my EPOS M12.2, I would give it a go just to proof to myself this feeling.


1. The M1 PWR power amp on its own is a great value for price (RRP at RM4300 each) given its switchable mode between stereo and mono. It will fit nicely with streamers or CD players with digital volume control output.

2. Will it match any integrated amps and speakers for bi-amping? Need to demo them on your own although I believe that the Class D is providing this high pitch sound characteristics. So, proper matching of amps and speakers for biamping is vital.

3. Will I purchase them to biamp my D18s with M6i amp? Not in mono mode (2 units of PWR) definitely. In stereo (1 unit), maybe. I will continue listening to it till end of this week in stereo mode, bi amping my D18s.

Thursday, 5 April 2012

Siltech Classic Anniversary 330L Speaker Cable

24 hrs review of Siltech speaker cable.

Its been more than 24 hrs now since I hooked up the Siltech to the D18s. Truth be told, I didnt really have to burn in the speaker cables as I have asked CMY to pre burn it with the ProBurn machine for 48 hrs which is supposed to be equivalent to 200 hrs of running in. Heck, dont ask me about the physics behind the ProBurn. Its a free service I get from CMY so I took it. Previously I have purchased 2 QED interconnects, one pre burn and one brand new. There was actually a different in the sound produced in my set up.

So, let me talk about the plan first. Throughout the past 4 years since I resumed the upgrade path after 8 years of not doing so, I have changed cabling (here referring to IC, power cable and speaker cable) from Cambridge Audio to Ixos to QED and now to Siltech. My introduction to Siltech was not a planned one. Since I got the M6i amp, I have always wanted to hear how XLR sound from my M1 DAC. So at first I was loaned 2 models of VDH XLR, but the sound from them was rubbish. Which I was a bit dissapointed after hearing a lot good saying about using XLR. So then CMY loaned me a pair of Siltech XLR. Boy, I immediately fell in love with the sound. Since then, I wanted to see how and what if I have a complete Siltech signature for my cabling to match the complete MF set up I have.

The second came was the RCA interconnect to connect the CLiC to the amp. Then the CDT transport to the DAC, I needed an XLR digital interconnect as well. Then came in the power cable for the M6i. So, until now my cabling from 3 sources (CDT, CLiC and DAC) and the amp are all by Siltech. The synergy between Siltech and MF kit, to me is very very sweet, warm and lively. But then, I was still using QED as the speaker cable. So the full cycle have not been completed. But I had to wait for some more funds to come before parting money for the most expensive cable I have ever purchased - this Siltech Classic Anniversary 330L speaker cable.

Thats the history. Now the review. To avoid confusion, I have disconnected the new power amps and just let the Siltech run my D18 with a single wire configuration ie the M6i is running both the tweeters and woofers, just like before.

The speaker cable although looks thick, it is actually lighter than I thought it would be. I had a concern that in time, it would bend the speaker terminals due to the weight hanging from the cable when I have plugged into the terminals using banana plugs. The cable is flexible enough to easily handle it and plug into my amp. The banana plugs have a see through plastic covering over the metal plugs itself.

When you purchase this cable, it comes in a box and placed in foam. A certificate with 2 serial numbers is also supplied reflecting each of the cable serial number.

So my setlist for the review consists of:

1. Aaron Neville on CD. Playerd on CDT feeding the M1 DAC to the M6i amp.
2. Andrea Bocelli, Diana Krall and The Eagles on hi res music via CLiC
3. Gypsy Kings on 320 kbps MP3

The first thing I notice was some how the speaker cable have amplified the sound a bit. The usual volume level seems louder than before but it did not loose the subtlety. So first up was Aaron Neviile - Lousiana 1927. Hmmmmmm.... The vocals came out to be full of soundstaging. Its hard explain its as if you are watching a 3D movie but for audio. There were layers behind his voice that I could not experience before.

The best part was that it enhance the low end notes but without providing the excess boom. I was kind of worried the the bass will be to overwhelming for my room. But NO. Play Hotel California and the drums on that tracks just comes out sounding original and even more controlled than before. The wire brush on the snare on one of Diana's track sounded airy and spreaded across the room. I can actually visualize the drummer's hand spinning the wire brush around the snare. Again, its like 3D for audio.

Then comes out Andrea for the ultimate vocal test. Again, it feels like his voice was uplifted and airy. But its all balanced out by the low end produced by the woofers. No pinching experience from the enhanced tweeter sound. Being hi res source, I again was worried that it give too much enhancement on the tweeters but the cable just manage to adapt itself to maintain the warm sound I like but at the same enhance or elevate the music atmosphere up a notch.

The final test was to see how it copes with a fast paced and multi instrument music. the Gypsy Kings Bamboleo track was definitely giving the cable a run for what its worth. The dynamics produced by D18s was something that I have not heard off before. so I had to attribute these dynamics to the Siltech speaker cable.

Now, is there such thing as a speaker cable that chokes back the music? At one point when playing Diana Krall I've Got You Under My Skin, I could hear some sort of struggle for the tweeters to reproduce a few of the piano notes. Was not satisfied with tha, I loaded the normal CD version of this track instead of using the hi res file. Voila, I didnt hear that strain on the CD. It might be a bad upsampling of the track. Damn HD Tracks.

Now, this speaker cable as not on loan for testing. I was so confident of a Siltech product that this time around, I paid and purchased the item first rather than the usual 'Can I Test first kah?' even CMY was surprised as usually I will ask for a loan first before committing.

To summarize, I feel Siltech products provide a signature of dynamics, enhancement and uplifting which somehow creates a 3 dimensional experience. If not for all but at least for my MF set up.

Now.....thats the end of my cabling venture for a while. Maybe in another 8 years time, you will see this speaker cable on the For Sale thread. But for now, its a keeper and the last piece of jigsaw to my cabling quest.

Next....MF M1 PWR amp review.